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Engraving by an unidentified artist from the circle of Jan Sadeler I, “Saint Antiochus”, c1610 - Prints and Principles
Charles Duvent's drypoint, “Venise au Rialto”, c1904 - Prints and Principles
Hieronymus Wierix's engraving, “Invidia,” 1563–before 1612, after Philips Galle - Prints and Principles
Prints and Principles: Félix Augustin Milius' etching, “Van der Meer dans son Atelier”, c1883, after Jan Vermeer
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Prints and Principles: William Haussoullier's engraving, “Augustus, Octavia and Livia”, 1869, after Jean Auguste Dominique Ingres
Prints and Principles: Richard Earlom's mezzotint with etching, “The Larder”, 1775, after Maarten de Vos
Paul Rajon's etching, “Ninette”, 1886 - Prints and Principles
Henri Guérard's etching of Manet's painting, “A Bar at the Folies-Bergère”, 1884 (2nd impression) - Prints and Principles
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Prints and Principles: Philips Galle's engraving, “Fishing with Dip Nets on the River Arno”, 1578
Prints and Principles: Théodule Ribot's etching and drypoint with aquatint, “Still Life with Dead Chicken”, 1878
Prints and Principles: Jacques Philippe Le Bas' etching with engraving, “Le Midy”, 1742, after Nicolaes Berchem
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Prints and Principles: Johann Christian Klengel's etching “Herd of Cattle in Front of Ruins”, 1775
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